While a property’s natural surroundings provide a boundless supply of inspiration for us as interior designers, this is not our only source. Hotels can be excellent examples of timeless, tasteful interior design.
When designing the interior of our Cornwall home, we were inspired by one hotel in particular, Hotel Tresanton (below).
Hotel Tresanton bedroom
Designed by Olga Polizzi and opened in 1997, this relatively recent addition to the Cornish landscape is an excellent tribute to its coastal surroundings in the most understated of ways.
Hotel Tresanton living room
Seaside motifs are nuanced throughout the interior, but the real nod to the Cornish landscape is evident from the beautiful views visible from the windows. It is this that we aimed to emulate in the design of our own home.
Hotel Tresanton bedroom
The first floor was reconfigured to include the master bedroom and bathroom overlooking the sea, and the orientation of the furniture in the sitting room was altered to position the view as a stunning backdrop to the interior.
Inspiration also came from a handful of other hotels in the area, including the St Mawes Hotel and The Idle Rocks (below). Rustic finishes and pretty fabrics abound in the designs of these interiors, embracing bare wood with a collection of classic and contemporary pieces of furniture. The result is a lived in and welcoming interior that feels it has evolved over time.
The Idle Rocks Hotel sitting room
This collected, curated feel is one that we aim for in all of our interiors. Antique pieces and brown furniture might sit alongside Art Déco, mid-century and white ‘coastal chic’ pieces, which have a wonderfully worn and weather-beaten feel perfect for a coastal design.
The overwhelming aesthetic created within these hotels is one of quiet coastal beauty befitting their stunning Cornish setting, with elements of punch that accommodate the wilder nature of the coastline.
This punch is evident in the Farrow & Ball palette used in both the St Mawes Hotel and The Idle Rocks, including an uplifting sunny Yellowcake. We opted for De Nimes, a strong deep blue on the joinery of our coastal interior – recalling the crashing waves of the sea hitting the peninsula during a storm.
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