Miley Cyrus's 'intimate and fearless' artwork transforms her bathroom into a 'canvas for self-expression' – designers discuss her twist on a famous art piece

Design takes on both function and beauty in the singer's simple blue and white bathroom – it's a lesson on how to choose art in an unusual space

miley cyrus on a gray background
(Image credit: Frazer Harrison via Getty Images)

Decorating with prints of very famous artworks is a gamble. While paintings like Starry Night, the Mona Lisa, and Monet's Waterlilies remain beloved for their strong emotional impacts, integrating them into a home can sometimes feel kitschy or heavy-handed. However, when executed well, hanging famous works can honor their power while reorienting them in a new context for a striking impact.

Tish Cyrus understood this perfectly when she hung a tapestry of Matisse's Blue Nude II in her daughter, Miley Cyrus's home – answering the question of whether you should display art in a bathroom.

The singer's white and gray color scheme acts as a neutral, grounding base for the work. Octagonal gray stone tiles stretch across Miley's floor. They reflect the gray veins in the marble shower, visible through her modern industrial glass shower.

The look works because it taps into the timeless appeal of the bathroom art, while giving it a contemporary feel.

New York-based interior designer Jove Meyer explains: 'Who doesn’t dream of having a masterpiece by Matisse gracing their bathroom? Especially when it’s a piece like Blue Nude II, with its striking depiction of the female form in that vibrant, bold blue. Hanging in Miley Cyrus’s bathroom, this work adds layers of personality and energy to an otherwise minimalistic, crisp white space. It’s the perfect setting for such a statement piece—empowering the female form in a way that feels both intimate and fearless. A bathroom, of all places, becomes a canvas for self-expression. It’s a subtle yet powerful reminder to embrace boldness, beauty, and unapologetically being yourself.'

Beyond the self-expressive nature of the work, Miley's hanging is a masterclass in how to display art in a bathroom. 'Miley Cyrus’s bathroom is a perfect example of how scale and color can transform a space,' states Melissa Read, Principal Designer at Studio Burntwood. 'The oversized Matisse wall hanging makes a bold statement, balancing the structured black-framed shower and the cool marble tones. The deep blue injects energy, keeping the space from feeling too clinical.'

Part of what works about Tish's bathroom wall idea is it's functionality. Melissa Read explains: 'Choosing a fabric wall hanging over framed artwork adds texture and softness, perfect for a bathroom. It also helps with moisture issues since glass framed prints can trap humidity and lead to mould. That said, good ventilation is key to preventing dampness, so if you’re adding a textile piece, make sure your space is well aired.'

She advises: 'For a fresh take on famous artworks, think beyond prints. Large scale tapestries, hand painted murals, or even sculptural pieces can bring personality while feeling effortless. The trick is making sure it stands out while still working with the space.'


The timeless appeal of a work likes Mattisse's comes to life in Miley Cyrus's bathroom. When we channel balance, beauty, and functionality, her stunning look is easy to capture.


Sophie Edwards
News Editor

Sophie is a London-based News Editor at Homes & Gardens, where she works on the Celebrity Style team. She is fascinated by the intersection of design and popular culture and is particularly excited when researching trends or interior history. Sophie is an avid pop culture fan. As an H&G editor, she has interviewed the likes of Martha Stewart, Hilary Duff, and the casts of Queer Eye and Selling Sunset. Before joining Future Publishing, Sophie worked as the Head of Content and Communications at Fig Linens and Home, a boutique luxury linens and furniture brand. She has also written features on exciting developments in the design world for Westport Magazine. Sophie has an MSc from the Oxford University Department of Anthropology and a BA in Creative Writing and Sociology from Sarah Lawrence College.

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